Remastered 1997 BGO reissue of their deleted 1972 Chrysalis album, engineered by Chris Kimsey. Contains all nine original tracks, including ‘You Give Me Loving’ and ‘Turned Off T.V. Blues’. Also features extensive sleeve notes and faithfully restored artwork. The full title is ‘Rock & Roll Music To The World’.
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This five-CD box set soundtrack to filmmaker Ken Burns’s 10-part, 19-hour documentary Jazz spans nearly a century of jazz styles, from the martial rhythms of James Reese Europe to the soul-jazz of Grover Washington Jr. It includes time-tested classics like Benny Goodman’s 1938 classic, “Sing, Sing, Sing”; John Coltrane’s chanting 1965 immortal track, “A Love Supreme”; Billie Holiday’s blue-ember ballad, “God Bless the Child”; and Ella Fitzgerald peeling off “A-Tisket A-Tasket.” Bebop is represented by Charlie Parker’s orchestral bop version of “Just Friends”; Thelonious Monk’s nocturnal calling card, “‘Round Midnight”; and Dizzy Gillespie’s “Salt Peanuts” and “Groovin’ High.” The jazz-instrumentalist-as-singer comes to life on Coleman Hawkins’s “Body and Soul” and Horace Silver and the Jazz Messengers’ “Doodlin’.” Clifford Brown and Max Roach’s “I Get a Kick out of You” epitomizes the hard-bop era, while Miles Davis’s “So What” stands as the modal masterpiec (more…)
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The concluding chapter of director Sergio Leone’s epochal Man With No Name trilogy ushered film scorer Ennio Morricone into the pop mainstream courtesy of a hit cover of its main title by American Hugo Montenegro. More importantly, it both showcased the composer’s spectacularly inventive range and set him up for even greater triumphs to come with Leone and others. But aficionados of il Maestro Morricone’s G,B&U soundtrack knew its original editions contained but the main thematic/musical elements of the spaghetti western epic — until now. The addition of ten previously unissued cues on this newly remastered edition render the landmark score in its full glory, nearly doubling its running time in the bargain. While some of these new elements are but spare, haunting reworkings of familiar motifs (including Allessandro Allessandroni’s trademark guitar riffs and the chilling vocal shrieks the composer used to evoke the howling of coyotes) that help (more…)
