Tag Archives: Good

Jun. 13.

The Good Guy (2009)

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The Good Guy

Ambitious young New Yorker Beth (Alexis Bledel) wants it all: a good job, good friends and a good guy to share the city with. Of course that last one is trickiest of all, as Beth discovers when she falls hard for Tommy (Scott Porter), a handsome, young Wall Street hotshot. Just as everything seems to be falling into place, Beth meets Tommy’s shy, clumsy co-worker Daniel (Bryan Greenberg) – and soon learns that the game of love in the big city is a lot like Wall Street – high risk, high reward…and everybody has an angle

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Jun. 13.

The Good, the Bad & the Ugly (2-Disc Collector’s Edition) (1967)

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The Good, the Bad & the Ugly (2-Disc Collector's Edition)

Amazon.com essential video

If you think of A Fistful of Dollars and For a Few Dollars More as the tasty appetizers in Sergio Leone’s celebrated “Dollars” trilogy of Italian “Spaghetti” Westerns, then The Good, the Bad, and the Ugly is a lavish full-course feast. Readily identified by the popular themes of its innovative score by Ennio Morricone (one of the bestselling soundtracks of all time), this cinematic milestone eclipsed its influential predecessors with a $1.2 million budget (considered extravagant in the mid-1960s), greater production values to accommodate Leone’s epic vision of greed and betrayal, and a three-hour running time for its wide-ranging plot about the titular trio of mercenaries (“Good” Blondie played by rising star Clint Eastwood, “Bad” Angel Eyes played by Lee Van Cleef, and “Ugly” Tuco played by Eli Wallach) in a ruthless Civil War-era quest for $200,000 worth of buried Confederate gold. Virtually all of Leone’s stylistic attributes can be found (more…)

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Jun. 13.

When Good Ghouls Go Bad (2001)

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When Good Ghouls Go Bad

Amazon.com

A 12-year-old moves with his newly divorced father to Dad’s hometown and confronts the usual bullies, town curses, and rampaging by the undead in this screen adaptation of the R.L. Stine juvenile novel of the same name. Danny’s first introduction to Walker Falls is the police removal of his spooky door decorations because Halloween is forbidden in this All Hallows’ Eve answer to Footloose. To make matters worse, his grandfather (the ever wacky Christopher Lloyd) dies in a pumpkin accident and comes back as a goofy zombie ready to help Danny and his new (girl)friend solve the town mystery. Packed with lots of gross-out zombie action and plenty of junior high humor, this PG-rated film contains mild horror scenes, but no naughty words and one innocent kiss. Fans of the book series should be satisfied with this 93-minute adaptation, which may even inspire some young viewers to pick up a book. (Ages 9 and older) –Kimberly Heinrichs

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Jun. 13.

The Good, the Bad and the Ugly [VHS] (1967)

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The Good, the Bad and the Ugly [VHS]

Amazon.com essential video

Clint Eastwood (the Man with No Name) is good, Lee Van Cleef (Angel Eyes Sentenza) is bad, and Eli Wallach (Tuco Benedito Pacifico Juan Maria Ramirez) is ugly in the final chapter of Sergio Leone’s trilogy of spaghetti westerns (the first two were A Fistful of Dollars and For a Few Dollars More). In this sweeping film, the characters form treacherous alliances in a ruthless quest for Confederate gold. Leone is sometimes underrated as a director, but the excellent resolution on this digital video disc should enhance appreciation of his considerable photographic talent and gorgeous widescreen compositions. Ennio Morricone’s jokey score is justifiably famous.

By far the most ambitious, unflinchingly graphic and stylistically influential western ever mounted, The Good, the Bad and the Ugly is an engrossing actioner shot through with a volatile mix of myth and realism. Clint Eastwood returns as the “Man With No Name,” this (more…)

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Jun. 13.

Good Calories, Bad Calories: Fats, Carbs, and the Controversial Science of Diet and Health (Vintage) [Paperback]

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Good Calories, Bad Calories: Fats, Carbs, and the Controversial Science of Diet and Health (Vintage)

From Publishers Weekly

Starred Review. Taubes’s eye-opening challenge to widely accepted ideas on nutrition and weight loss is as provocative as was his 2001 NewYork Times Magazine article, What if It’s All a Big Fat Lie? Taubes (Bad Science), a writer for Science magazine, begins by showing how public health data has been misinterpreted to mark dietary fat and cholesterol as the primary causes of coronary heart disease. Deeper examination, he says, shows that heart disease and other diseases of civilization appear to result from increased consumption of refined carbohydrates: sugar, white flour and white rice. When researcher John Yudkin announced these results in the 1950s, however, he was drowned out by the conventional wisdom. Taubes cites clinical evidence showing that elevated triglyceride levels, rather than high total cholesterol, are associated with increased risk of heart disease-but measuring triglycerides is more difficult than measuring cholesterol. Taubes (more…)

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Jun. 13.

The Good, The Bad, & The Ugly Movie (Clint Eastwood) Poster Print – 24×36

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The Good, The Bad, & The Ugly Movie (Clint Eastwood) Poster Print - 24x36

This poster shows various scenes and characters from The Good, The Bad and The Ugly. At the top it says The Good, The Bad and The Ugly . At the bottom it says Directed by Sergio Leone . The Good, the Bad and the Ugly is a 1966 Italian epic spaghetti Western directed by Sergio Leone, starring Clint Eastwood, Lee Van Cleef, and Eli Wallach. It is the third film in the Dollars trilogy following A Fistful of Dollars (1964) and For a Few Dollars More (1965). The plot centers around three gunslingers competing to find a fortune in buried Confederate gold amid the violent chaos of gunfights, hangings, Civil War battles, and prison camps.

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Jun. 13.

Good Calories, Bad Calories [Kindle Edition]

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Good Calories, Bad Calories

From Publishers Weekly

Starred Review. Taubes’s eye-opening challenge to widely accepted ideas on nutrition and weight loss is as provocative as was his 2001 NewYork Times Magazine article, What if It’s All a Big Fat Lie? Taubes (Bad Science), a writer for Science magazine, begins by showing how public health data has been misinterpreted to mark dietary fat and cholesterol as the primary causes of coronary heart disease. Deeper examination, he says, shows that heart disease and other diseases of civilization appear to result from increased consumption of refined carbohydrates: sugar, white flour and white rice. When researcher John Yudkin announced these results in the 1950s, however, he was drowned out by the conventional wisdom. Taubes cites clinical evidence showing that elevated triglyceride levels, rather than high total cholesterol, are associated with increased risk of heart disease-but measuring triglycerides is more difficult than measuring cholesterol. Taubes (more…)

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Jun. 13.

The Good, The Bad & The Ugly (Expanded) [Extra tracks, Original recording remastered, Soundtrack]

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The Good, The Bad & The Ugly (Expanded)

Amazon.com

The concluding chapter of director Sergio Leone’s epochal Man With No Name trilogy ushered film scorer Ennio Morricone into the pop mainstream courtesy of a hit cover of its main title by American Hugo Montenegro. More importantly, it both showcased the composer’s spectacularly inventive range and set him up for even greater triumphs to come with Leone and others. But aficionados of il Maestro Morricone’s G,B&U soundtrack knew its original editions contained but the main thematic/musical elements of the spaghetti western epic — until now. The addition of ten previously unissued cues on this newly remastered edition render the landmark score in its full glory, nearly doubling its running time in the bargain. While some of these new elements are but spare, haunting reworkings of familiar motifs (including Allessandro Allessandroni’s trademark guitar riffs and the chilling vocal shrieks the composer used to evoke the howling of coyotes) that help (more…)

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Jun. 13.

The Man with No Name Trilogy (A Fistful of Dollars, For A Few Dollars More, The Good, the Bad, and the Ugly) (1967)

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The Man with No Name Trilogy (A Fistful of Dollars, For A Few Dollars More, The Good, the Bad, and the Ugly)

Amazon.com

Sergio Leone’s trilogy of operatic spaghetti Westerns with Clint Eastwood made the former TV star into an international sensation as the scraggly, silent Man with No Name, a wandering rogue with a scheming mind and a sense of humor drier than the dusty, wind-scoured desert. With A Fistful of Dollars, a blatant rip-off of Kurosawa’s cynical samurai hit Yojimbo, Leone transforms the Western hero into a crafty mercenary. The follow-up, For a Few Dollars More, teams Eastwood up in an uneasy alliance with Lee Van Cleef in a tale of revenge, but the masterpiece of the set is The Good, the Bad and the Ugly, an epic scramble for buried gold set against the violence of the Civil War. In this film good is a relative term as three criminals make a series of tenuous partnerships broken in double-crosses and betrayals in Leone’s epic vision of the American southwest as endless deserts and clapboard towns infested with gunmen. This was a new kind of Western: cyn (more…)

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Jun. 13.

The Good, the Bad and the Ugly (1967)

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The Good, the Bad and the Ugly

Amazon.com essential video

Clint Eastwood (the Man with No Name) is good, Lee Van Cleef (Angel Eyes Sentenza) is bad, and Eli Wallach (Tuco Benedito Pacifico Juan Maria Ramirez) is ugly in the final chapter of Sergio Leone’s trilogy of spaghetti westerns (the first two were A Fistful of Dollars and For a Few Dollars More). In this sweeping film, the characters form treacherous alliances in a ruthless quest for Confederate gold. Leone is sometimes underrated as a director, but the excellent resolution on this digital video disc should enhance appreciation of his considerable photographic talent and gorgeous widescreen compositions. Ennio Morricone’s jokey score is justifiably famous.

By far the most ambitious, unflinchingly graphic and stylistically influential western ever mounted, The Good, the Bad and the Ugly is an engrossing actioner shot through with a volatile mix of myth and realism. Clint Eastwood returns as the “Man With No Name,” this ti (more…)

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