Tag Archives: Capo

Jun. 13.

Da Capo Best Music Writing 2005: The Year’s Finest Writing on Rock, Hip-Hop, Jazz, Pop, Country, & More [Kindle Edition]

Da Capo Best Music Writing 2005: The Year's Finest Writing on Rock, Hip-Hop, Jazz, Pop, Country, & More

From Booklist

This year’s package of bite-size think pieces about pop music continues the fine tradition of previous editions. Subjects and contributors include Robert Christgau on “postmodern minstrelsy” and why studying it matters, Robert Hilburn on Bob Dylan as “rock’s enigmatic poet,” and Chris Norris on the continuing cult-icon status of Saint [sic] Kurt Cobain. Greil Marcus kicks in on Buddy Holly, and two other contributors take on punk’s legacy: Is it dead, or does it just smell funny? Nicole White and Evelyn McDonnell bring news that cautious fans and musicians can use in their timely “Police Secretly Watching Hip-hop Artists,” and again this year, an Onion article, “Heartbreaking Country Ballad Paralyzes Trucking Industry” (a story that, factual or not, had to be told), peacefully coexists with the verifiable stuff. Ben Yagoda explores a subject that will grab catalogers and other metadata enthusiasts, “reflexivity” (fancy for self-referential lyrics and criti (more…)

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Jun. 13.

Da Capo Best Music Writing 2005: The Year’s Finest Writing on Rock, Hip-Hop, Jazz, Pop, Country, & More [Bargain Price] [Paperback]

Da Capo Best Music Writing 2005: The Year's Finest Writing on Rock, Hip-Hop, Jazz, Pop, Country, & More

From Booklist

This year’s package of bite-size think pieces about pop music continues the fine tradition of previous editions. Subjects and contributors include Robert Christgau on “postmodern minstrelsy” and why studying it matters, Robert Hilburn on Bob Dylan as “rock’s enigmatic poet,” and Chris Norris on the continuing cult-icon status of Saint [sic] Kurt Cobain. Greil Marcus kicks in on Buddy Holly, and two other contributors take on punk’s legacy: Is it dead, or does it just smell funny? Nicole White and Evelyn McDonnell bring news that cautious fans and musicians can use in their timely “Police Secretly Watching Hip-hop Artists,” and again this year, an Onion article, “Heartbreaking Country Ballad Paralyzes Trucking Industry” (a story that, factual or not, had to be told), peacefully coexists with the verifiable stuff. Ben Yagoda explores a subject that will grab catalogers and other metadata enthusiasts, “reflexivity” (fancy for self-referential lyrics and criti (more…)

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Jun. 13.

Da Capo Best Music Writing 2006: The Year’s Finest Writing on Rock, Hip-Hop, Jazz, Pop, Country, & More (Kindle Edition)

Da Capo Best Music Writing 2006: The Year's Finest Writing on Rock, Hip-Hop, Jazz, Pop, Country, & More

From Booklist

Guest editor Mary Gaitskill says she put together this edition of Da Capo’s annual to be “like a mix tape of sounds a person might hear in life,” some of which “enter your imagination and take strange dream-shapes.” Manifesting strangeness are Kevin Whitehead’s disquisition on the “hidden affinity” between the music of Art Tatum and that of Thelonious Monk, Raquel Cepeda’s thoughts on the rise of “reggaeton,” and David Thorpe’s biting commentary on R. Kelly’s notorious sexcapades. Moustafa Bayoumi reports on American use of music in the war on terror: “usually heavy metal or hip-hop but sometimes . . . Barney the Dinosaur” is “pumped at detainees with such brutality [as] to unravel them” without leaving the telltale marks of bodily violence. Of particular interest to classic-rock fans and aging boomers is Tom Ewing’s remembrance of August 1966, when the Beatles’ two-hit single, Eleanor Rigby/Yellow Submarine, topped the charts. Terrorism, sexual misconduct (more…)

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Jun. 13.

Da Capo Best Music Writing 2006: The Year’s Finest Writing on Rock, Hip-Hop, Jazz, Pop, Country, & More [Paperback]

Da Capo Best Music Writing 2006: The Year's Finest Writing on Rock, Hip-Hop, Jazz, Pop, Country, & More

From Booklist

Guest editor Mary Gaitskill says she put together this edition of Da Capo’s annual to be “like a mix tape of sounds a person might hear in life,” some of which “enter your imagination and take strange dream-shapes.” Manifesting strangeness are Kevin Whitehead’s disquisition on the “hidden affinity” between the music of Art Tatum and that of Thelonious Monk, Raquel Cepeda’s thoughts on the rise of “reggaeton,” and David Thorpe’s biting commentary on R. Kelly’s notorious sexcapades. Moustafa Bayoumi reports on American use of music in the war on terror: “usually heavy metal or hip-hop but sometimes . . . Barney the Dinosaur” is “pumped at detainees with such brutality [as] to unravel them” without leaving the telltale marks of bodily violence. Of particular interest to classic-rock fans and aging boomers is Tom Ewing’s remembrance of August 1966, when the Beatles’ two-hit single, Eleanor Rigby/Yellow Submarine, topped the charts. Terrorism, sexual misconduct (more…)

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Jun. 13.

Best Music Writing 2007 (Da Capo Best Music Writing) [Paperback]

Best Music Writing 2007 (Da Capo Best Music Writing)

The “Dean of Rock Critics” takes the helm for the eighth edition of Da Capo’s acclaimed annual compendium of thrilling words on music. Rappers, rockers, emo-boys, jazz snobs, and poptimists alike eagerly anticipate each edition of Best Music Writing. Returning Series Editor Daphne Carr is joined by a true pioneer of the form, esteemed critic Robert Christgau. Past editions of Best Music Writing have included: Anne Midgette * David Ritz * Dave Eggers Sasha Frere-Jones * Michaelangelo Matos Elizabeth Méndez Berry * Alex Ross Elizabeth Gilbert * Jay McInerney Lynn Hirschberg * Chuck Klosterman Sarah Vowell * Nick Tosches * Rosanne Cash Greil Marcus * Richard Meltzer * Touré Susan Orlean * Jonathan Lethem Kate Sullivan * David Hadju * Gary Giddins Luc Sante * Monica Kendrick * Kelefa Sanneh and more…

About the Author

Robert Christgau is the author of Grown Up All Wrong and Any Old Way You Choose It, among other books. He (more…)

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Jun. 13.

Best Music Writing 2008 (Da Capo Best Music Writing) [Paperback]

Best Music Writing 2008 (Da Capo Best Music Writing)

Review

Booklist“Brimming over with vital stuff.”London Metro, 10/08“Something you can sink your teeth into.”Nashville City Paper, October 2008“always a treat and a delight…this year’s edition proves no different, and the scope, variety and quality are quite impressive.”USAToday.com “I look forward to this anthology every year, and it never disappoints!”Brick Weekly, 1/22/09 “There’s some pretty sharp stuff in here done by some real worldly cats. The entire book’s a joy to read.” St. Joe Channel “The latest edition in the fine series is a solid anthology made up of articles that discuss a wide range of topics and genres within the subject of music…There are many hits in this three hundred and twenty-seven pages of articles…Yet another good edition in a quality series.”SwampLand.com“Always worthwhile.”

The ninth entry in the acclaimed series celebrating the best writing on every style of music, from rock to h (more…)

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Jun. 13.

Best Music Writing 2009 (Da Capo Best Music Writing) [Paperback]

Best Music Writing 2009 (Da Capo Best Music Writing)

Review

USAToday.com’s Pop Candy Blog, PopMatters “I look forward to it every year!”USA Today “[P]ieces examine the music world in a social context, which makes for a challenging, and engaging, read.”USAToday.com’s Pop Candy blog “[Y]ou really should get the book, which is one of my favorite annual compilations.”BooklistOnline “…essential, as usual.”

Best Music Writing has faithfully collected the year’s most compelling writing on music for a decade now, so it’s appropriate this special edition be guest-edited by one of the best-known writers on music and popular culture, Greil Marcus, author of Lipstick Traces, Mystery Train, Like a Rolling Stone, and other groundbreaking excursions into the very fabric of music, America, and beyond.As always, Series Editor Daphne Carr has culled an impressively wide range of essays, profiles, news articles, interviews, creative non-fiction, fiction, book reviews, long-format reviews, blo (more…)

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